@Bytron08 Hey Byron, thanks for the listen and feedback mate. That means a lot coming from someone who consistently delivers nice covers 
@nzmetal Hi Jeff, thanks for the listen and feedback mate. I figured it is time that I done an Oasis since they were one of my favourite bands growing up.
@adi_mrok Glad you enjoyed that one Adrian. Thanks for the listen and feedback, its much appreciated mate. Long may that rock n roll continue.
@direvus Hi Brendan thanks for taking the time to listen and provide feedback. It’s much appreciated. The picked notes were fun to work out and add to the song.
@jkahn Hey JK, well you did say you were hoping to see something new on the AVoYP front in my learning log. So didn’t want to disappoint you mate. Thanks for taking the time to listen and provide feedback. Your comment put a smile on my face 
@philsmith Hi Phil, thanks for taking the time to listen and provide feedback. It means a lot mate and I’m glad you enjoyed.
@batwoman Hey Maggie, thanks for the listen and feedback. I’m glad those chord changes came across smooth as one of those chords was a real pain and took lot’s of finger stretching practice to get it manageable.
@Richard_close2u Hey Richard thanks for the taking the time to listen and provide feedback. Damn I shouldn’t have let it slip about Noel using a capo and those chord shapes. I think you are right about Noel’s voice. Even with Wonderwall he now plays it with the Capo on the 3rd fret instead of the 2nd fret. Experimenting with a capo is something that I will certainly be doing. I’m still a bit unsure about my singing, though, I’ve started working my way through the Discover Your Voice course. Hopefully, everything will start to come together. One thing that I did learn from this song was with practice and perseverance you can achieve those stretchy chords that you think there is no way I can fret that chord. That Cmadd9 was a real stretch with the 3rd and 4th finger stuck down. Justin’s finger stretching exercise really helped nail that chord.
@sairfingers Hey Gordon, thanks for the listen and feedback mate, it’s much appreciated. Yes, experimenting with the Capo is something that I’m going to explore as I discover my voice. Whats next on the consolidation repertoire? I’ve been working on ‘Why Does It Always Rain On Me’, ‘Writing to Reach You’, ‘Sweet Home Chicago’, ‘No Woman No Cry’ and ‘Wonderful Tonight’. I’ve also been working on Justin’s blues lead bonus song. Justin provides the backing tracks on the CD along with two tracks of him playing it. One he plays slowly over a 12 bar blues riff and the other at a higher tempo over a professional backing track. I’ve more or less there with both tempos, though, Justin doesn’t seem to leave a lot of space in them but I have learned them as a set piece as he plays them just to get the technique and feel for the rhythm down.