E Shape Major

@JustinGuitar your comment about adjusting the angle of the neck really helped me.
Spaced repetition to revisit the mechanics, each practice session is getting better.
White Rabbit has been one good practice song for me, F# G A C E

Thanks! :slight_smile:

I wouldnā€™t say that barre chords on my electric were easy but they are a lot easier than on my acoustic and I have them down fairly well. I had no idea that moving my index finger just down a little bit could make such a big difference on my acoustic. I donā€™t get it right all of the time but a whole lot more than before. My hope has been restored.

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The tip given at 13:06 about focusing energy not on the tip of the finger but in the middle of the barre is one that seems to be overlooked out in the guitar community at large.

However, I have to say I read on a different article that focusing the pressure on the middle knuckle (as opposed to middle of the barre as Justin suggests) might be easier for people to achieve. Maybe for some people it just just semantics. But I tried both ways and found Justinā€™s suggestion just ok, that trying to barre the middle of the barre didnā€™t always work and was hard to do. But as soon as I saw it described as focusing the pressure on the middle knuckle, it worked much better. This could be because my main issue with 6th string barres is the B string, since my middle knuckle sits directly on top it, so the string falls squarely into my knuckle crease. It seems like mentally focusing my strength to that middle knuckle instead of the fingertip (which is where weā€™ve been putting pressure for how many modules now?) is very helpful.

@theoneally Tim, your post was over a year ago and I am just starting this lesson, so I hope you sorted out your learning issues with the straight wrist. I learned the E shape barre chord many years ago and assumed I had some bad practices to overcome so I carefully studied my form with a mirror. I made an amazing discovery. If I changed the angle of my thumb to be less straight up and angled toward the nut, like playing a C chord, then my wrist straightened out. So:

Thumb straight up and parallel to the barre finger - bent wrist
Thumb at 45 degree angle to barre finger - straight wrist.

This just might be my peculiar biomechanics and short fingers, but i thought that it might be helpful to others.

I got a lot of improvement with the B string by focusing on the feel of the string and the adjacent fret under my fingerā€¦not the pressure of my finger. I practiced just picking the B string and feeling it buzzing, and then applying just enough pressure to make it ring cleanly.

This helped when I played the whole barre chord.

According to the book ā€œLearn Faster, Perform Betterā€, thereā€™s some scientific evidence that this external focus - focussing on the contact with your instrument rather than internal sensations - is a better way to focus your attention when practicing.

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