You’re probably right. Maybe a better idea and less mental hassle.
You’re probably right. Maybe a better idea and less mental hassle.
Wow, that looks like an amazing place for fun, entertainment, creativity. Very impressed.
And you collect ‘catch a ball in an egg cup?’ above mirror? Just for when you have a bit of down time?
Haha, thx. Some said it’s a bit much for a “beginner” But I just love to have a palette.
It was about 2 years I was rabbit-holing the Kendama (it’s the Japanese more complex version of ball and cup). And the collection grew a bit out of hand (also they don’t last forever in pristine playing condition). Now that I take my travel guitar everywhere my hands are mostly busy with the guitar when idle.
But since Justin explained the idea of balance training before learning new stuff to make the brain kinda more receptive to learning, I dusted them off and use a few tricks for brain warm-up before practicing/learning. (I sadly can’t find the video).
I see, how interesting. Never seen them before. Could be a stocking filler for my 8 year this year. I did wonder how you managed to balance the ball on top but I understand now having watched a video. Thanks for sharing.
Update September 2023:
Still consolidating the Beginner Course, but continued the practical Music Theory to Grade 4 and now consolidating that for the moment.
Happy I got pretty well into barre chords so far, so MT Grade 4 wasn’t as impractical to consolidate as it seemed some weeks ago.
Didn’t get to do as much recording as I wanted. I’m still working on correcting the video setup (better lighting and less visual clutter).
Also still experimenting with how to blend 2 mics and the piezo (and voice) better in the mix.
Haven’t had time or energy over the day to do a better take since some days, so this has to do for now.
Enjoyed your performance. You seem to have covered a lot of areas for tweaking in your own analysis.
This made me smile
when I watched it back.
Thought you did a nice job with the strumming pattern including the percussive hit
Again almost two weeks passed and couldn’t get to record
Got to prepare for some better recordings and comfort though.
Cleared up and reorganized the room where I record acoustic guitar in the meantime.
Here is the view from behind the recording space now:
Hope I can do some more rehearsal videos in the next days, now that my set up is more comfy.
I also finally (had to) restring my electric guitar (1st string broke when trying to clean it (0.009 gauge, so maybe a bit wimpy).
This went almost smoothly until I overturned the new 1st string and it broke. I haven’t had any more electric guitar strings around and everything was closed on the weekend, so I broke out one of the acoustic string packs I luckily had lying around, and the 0.011 gauge was close enough and it worked well.
Today I restocked all kinds of strings and restrung my classical and my travel guitar too for the first time, yay.
Only took a 3rd string to break on the travel guitar… (hopefully) I finally have learned my practical lesson in restringing.
Next up :
Today I found some daytime to record a take of Mad World:
I still haven’t learned the melody but I like how the two fingerstyle patterns sound (R3231232 for verses and R3212321 for choruses)
Some start problems like hesitant chord changes, looking at guitar (away from mic) and wrong lyrics (drown my sorrow instead of drown in sorrow).
Else I’m happy so far with the recording.
I did some mixing, still experimenting with how to mix the guitar tone. Had to lower the microphones of the guitar as they had some noise, hope it’s sounding ok with more of the piezo guitar sound. Next time I got to gainstage the guitar recording microphones better if playing something softer, so the noise floor gets lower.
Next up is a simple version of “The thrill is gone”
Making good progress, Marcel. Just keep doing what you are doing.
I think the guitar tone was good. Perhaps you could mix the vocal just a wee bit softer, perhaps just backup from the mic an inch or two more?
Glad you found some axe-time to share
I agree, the fingerstyle patterns are pleasing on the ear.
Hehe, I often change lyrics, esp. if I am not that fond of the originals and in your case, your ‘mistake’ improves them for me
I’m not sure that’s quite right. I think you do know the melody, but are subconsciously singing the harmonies instead of the main melody
I am surprised how often I start the song on a wrong note (usually the 1,3 or 5) and only notice a couple of bars in that things aren’t ‘right’.
Try singing the first vocal note of each bar on E, B, A, A and see if you prefer that (well half a note higher as you have the capo on 1). I believe that’s closer to the original, but it’s also good to make songs your own
What David say`s about vocal mix I echo,
and I found fingerpicking pleasant to listen to… well done
“You were my first and my last this morning…”
Get back to
DON’T DO THAT when I’m drinking tea
(I have 3 fingers on the strings again , 1 more to go )
Thank you for the feedback and the advice.
Overcompenstated mixing my voice this time as I often got the feedback it‘s too quite. I will also try to reduce proximity and saturation for a less blocky sound.
(Some people advise on kissing the SM58. I‘ll try to only be very close instead of making out with it next time. )
Hehe, yeah if done with intent it‘s great. But funnily enough it trips up my guitar playing when vocals go awol. Gotta learn to embrace happy accidents.
Regarding melody I meant more that I didn’t yet play the melody from tab on the guitar. Never thought my picking could influence my singing melody though.
Now that you say that. I will keep an eye (ear) on it.
„Merci viumal für d’tips“!
Thanks for checking it out, yeah vocals are still something I got to get better at mixing too, always hard to find a balance between loud enough and not egregious. Especially when the singing is still not very developped.
Indeed they do. Personally I have found no need to do that with my dynamic mic. But of course one sees performers on stage doing that. Perhaps that is necessary on stage with mics setup to try and minimise bleed from the PA system and on-stage monitors. As I said, I think backing off and perhaps turning the gain up a little to get the right level delivers a good enough result.
“Rehearsal Nr. 3: The thrill is gone”
Played with capo on two as per Justin Beginners Book.
I tried to add some little sus notes to make up a little for the lack of lead playing.
There are sadly some stutters due to technical problems. Hope they are not too jarring.
Sometimes it’s my playing , but other times they are digital problems.
I’m still figuring out some stuff with my phones as cameras. Either the Wi-Fi connections or having too many things running on the PC may be the cause.
There’s always something in the recording process to tweak too. A checklist may be appropriate.
Next Up: Good Riddance (Time of your Life)
Sounding good, Marcel, making good progress. Liked the percussive strum and vocal expression. Keep on doing what you are doing to continue to polish it up.
Sounds good, Marcel! Your progress truely reflects the effort you put in practicing and consolidating. It’s paying off nicely. Without the technical stutters, I bet the rhythm would have been quite solid, so well done on this one. Looking forward to “Good Riddance”.
Lagging behind with the recordings. On the positive side, more time to consolidate before moving on
Overhauled the recording setup and ironed out dozens of technical problems. Hope I finally have a fast workflow to make videos and can learn to perfect them. Now need a better camera someday.
4 - Good Riddance (Time of your Life)
Had some technical issues. Not the best take and after listening a lot to the original I find it hard to gel with the vocals cadence in relation to the guitar (that’s why I still get hiccups in the rhythm when trying to fit in the voice).
Maybe it just doesn’t really fit my vibes or maybe with some practice and more listening it will click with me.
Otherwise, I feel this is a candidate for future replacement with another song in my core repertoire for me. Still, I’ll try to get it up to some standard to be able to play it in this set for the “exam” at least.
I put a bit of Autotune on the voice so it’s a bit less grating. It couldn’t salvage it without sounding too artifical, but I feel it tamed some parts okay.
Very good self assessment on this one, Marcel. For the parts in between your rhythm seemed nice and solid to me and playing was smooth, but as soon as you also were about to sing, it kind of fell apart a little. Is it, because you “think” too much about how to sing it right? Is it, because on the whole it is too fast to do both at the same time? Lots of possible reasons, I guess. But if you take your time analysing what it is that throws you off, you’re halfway down to solving it.
I’d share my advice, if I may: You’re doing good listening to the original a lot. What about singing along with Billy Joe? This helps you get a feel for the melody and rhythm of the vocal track. Secondly, try figure out the melody line by ear on the guitar - this really helps me for singing melodies I’m unsure of. And next, if you want to put singing and playing together, slow it down and simplify the guitar a little in the first instances (simple strumming). Gradually add complexity and speed. I spent probably 3-4 months on this tune before I got it in a way to be happy with it and still not even close to the speed of the Original at all.
I recall your first post of this one and see huge progress already, so all the effort you put in pays off. I think, this is a more tricky tune as one would expect and needs time to develop. If you will stick to it, you’ll be able to play and sing it solid someday.
I hope you read it in the way I wanted to say it: Positively and constructively. To my view, you’re on a very good way and learned a lot already in the past months and doing good in strengthening all these things. Further, your production skills impress me and it kind of gets better with every post you share.
Looking forward to the next one!