We’re still counting 5ths up, but from F# upwards the enharmonic equivalents come in to play.
The ‘complete’ cycle would look like this from bottom to top.
F#/Gb
C#/Db
G#/Ab
D#/Eb
A#/Bb
E#/F
B#/C
The graphic has a mixture of sharps and flats because it omits some theoretical keys that aren’t practical.
E# and B# are the same as F and C.
Fb and Cb are the same as E and B.
The keys of G#, D# and A# all have double sharps. You’ll often see their enharmonic equivalents only: Ab, Eb and Bb respectively.
The keys of F# and C# don’t have any double sharps. That’s why you see both of them in the cycle of 5ths: F#/Gb and C#/Db.
I’m not sure why Justin’s graphic doesn’t include C#. @Richard_close2u might give us some more insight.