Unintentionaly muting the high E string when playing open chords

One person’s problem is another person’s solution. You may want to refine your muting and even perfect it.

Can you demonstrate your technique for muting the high E string? I like leaving it out for most of the open chords. It’s too brittle and harsh for my ears. I just try not to hit it for the most part. I do like the high E on major & minor 7th chords and the “Wonderwall” chord voicings.