Here is my version of The Beatles’ Yellow Submarine. As @ChasetheDream commented when he posted his cover of this song, and other members may have found too, there is more going on this song that it seems. For me it also has a childhood connection.
When I was a lobato in the Colombian scouts (lobato is wolf cub in Spanish [scout wolf cubs are called cub scouts by Scouts Canada]), we used to sing a song in Spanish that I am pretty sure had the same music than Yellow Submarine, but instead of Yellow Submarine we sang our school troop number, Tropa Dieciséis (Sixteenth Troop). I end my video singing that.
My first conscious encounter with the music of The Beatles was after John Lennon’s death (I was thirteen at that time). Then suddenly their songs were everywhere and the scope of music that I was deliberately listening widened from only classical and instrumental to include rock (Kiss, Led Zeppelin, Black Sabbath, Iron Maiden, Pink Floyd and many others).
A little more than a year ago I grabbed a songbook I have, looking for something I could play, and looked at the tab for this song and, suddenly, thanks to JustinGuitar lessons, I was able to understand how I could play it. After a few unpolished tries I decided to give it a go for adding it to my repertoire. I’ve been 10 months practicing it.
Polishing this song has been for me an excellent exercise for working in my 4/4 beat count while switching between 4 strumming patterns and doing 1st and 4th beat chord changes. At several points I have felt like being level 0 and learning again everything (what was probably happening in some way).
The chord sequence of the verses is 8 chords long and it was not until I wrote the chords for each section without the lyrics that I visualized how the chord sequence repeated through the song. It took me a while to be able to repeat the sequence at least twice without getting lost of where I was in the sequence.
To help me with the practice I created a backing track with GarageBand. Following advice from Toby @TheMadman_tobyjenner after my Pink Panther Theme post, I mainly used a hi-hat on each beat as the rhythm base, and added the other drum kit sounds as I thought better complemented each strumming pattern.
Following advice from my brother, I split the track with the drums in two, and later three tracks, to be able to control the sound of each track (and the instruments on each) individually. I am playing it at 90 b.p.m. that is a tempo I feel comfortable playing and singing at (as per Justin, the original record is around 109 b.p.m.)
For the instrumental, voices and noises interlude I got the idea to whistle in a kind of old war movie style (someway like in the “The Bridge On The River Kwai”).
The hat on my head is a souvenir of visiting the B.A.E. Guayas, school ship of the Ecuadorian Navy, in Guayaquil, Ecuador, in the nineties.
The initial idea The Beatles had for this song was quite different than the final version they came up with:
The Beatles - Yellow Submarine (Songwriting Work Tape / Part 1)