In early Grade 1 strumming âon the beatâ is strumming on the counts of 1, 2, 3, 4.
Justin often refers to the backbeat as being the 2 and the 4. He has lessons on the backbeat.
The in-between the beat parts of rhythm are the opposite of on-the-beat. They are off-the-beat.
Playing any sort of 'and; is playing the off-beat.
Paradoxically, when people say it out loud they may say what sounds like a contradictory statement:
âPlay on the off-beat.â
Which means strike the guitar strings when the off-beat, the and, the in-between the beat happens.
I am going to go in and correct the text on the lesson page.
Thanks for the updating the materials. Your explanation cleared my doubts, âoff-beatâ is what I was looking for. When I get to backbeats Iâll get to those materials then.
Note that some of the material still mentions âbackbeatsââ.
@Richard_close2u What is this counting system called? Is it 1 E & A (source)?
Does Justinâs Music Theory course cover different counting systems?
Thanks!
Repeat that pattern, substititing 2, 3 and 4 as you move along to get
1 E & A 2 E & A 3 E & A 4 E & A
That makes a total of 16 parts.
The entire span from 1 to the first A is a quarter subdivided into four equal parts.
Ditto for the span from 2 to the 2nd A, from 3 to the 3rd A and from 4 to the 4th A
Boxing them off looks like this:
I have changed capital letters to lower case.
Sixteen counts means you are looking at 16th note patterns.
I hope that helps.
Cheers
| Richard_close2u | JustinGuitar Official Guide, Approved Teacher & Moderator
For many, many years, Iâve been calling the âandsâ the âupbeatsâ , but am now wondering if this is correct. I have the - perhaps mistaken - idea that symphony orchestra conductors move their batons up on the upbeat.
Deliberately not googling this until I hear from you folks, as I generally find the advice here is way better than the inter webs
The biggest mistake guitar player make is they thing in terms of guitar and not all musical instruments. The and on a guitar would be on the upstroke or up strum. Seeing that pianos, wind instruments and even other stringed instruments donât have a down or upstroke/up strum this is where the confusion set in. This is also why beginner guitar player think tab are upside down and the thickest string is number 1.
In music the âandâ is the off beat or the beat between the 1/4 note. In 8th notes the strumming could be all downs or down up. In 16th note the âandâ is usually on the down strum.
I was going to take issue with this, but then noticed you clarify later on. Itâs true for what I call 1/4 note alternating strumming, but not true for 1/8 note all down strumming (as you say later in the paragraph).
IME, the confusion with Tabs is often because people quite commonly draw downstrums as arrows pointing âdownâ towards the bottom of the page, when in actuality, the pick is travelling âupâ towards the top of the page (from the thickest string to the thinnest on the Tab sheetâŠeven though it is really moving down towards the floor in real space) Super confusing to a beginner.
ThanksâŠIâve been using it wrong all this timeâŠoops! Going forward, will use âoffbeatâ instead.
So for 4/4, the upbeat is on 4, and for 3/4 the upbeat is on 3? Or is it on the âand of 4â (or 3)?
@TRoland1911 Actually Jozsef is completely Correct. The term Upbeat in music literally means âThe last beat of a bar.â
This short video will help you understand what the terms Downbeat and Upbeat mean.
Interesting video. He does mention around the 5:00 mark that many people use âup beatâ instead of âoff beatâ, although itâs not strictly formally correct.
What he should have said is âguitar players use upbeatâ Like I mentioned earlier guitar players relate everything to their guitars and donât realize these terms apply to music in general not just guitar.
Interesting videos (and topic), thanks for having shared them.
Yes, terminology can be a bit shaky. For example, when the âandâ was brought up by @Tbushell, I wanted to point out that the âandâ is the off-beat and it is part of the beat, not something separate. So, when he mentioned âthe âand of 4â (or 3)â, he stated to think in terms of subdivisions and 1/8 notes, adding another twist to the discussion. Thatâs why I said that in 3/4 the upbeat is on beat 3 as that includes the hypothetical âandâ.
Wrt counting 1 + 2 + 3 etc being ridiculous I had to laugh. If youâre a ballroom dancer you learn to count (even more ridiculously) + 1 + 2 + 3 etc. The initial âandâ is movement before foot placement (which is on the beat).
Thatâs interesting âŠ
In musical terms, if there is something preceding bar 1, beat 1, it is often called a pick up, officially called an anacrusis.