In 2024 we mourn the death & celebrate the life of

Community Hub 🗨 Just Chatting
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Actually, throw in Waylon Jennings and the 4 of them made up the country supergroup The Highwaymen. Very likeable!

I have never listened to Kristofferson much as a performer, but for my money he wrote two of the greatest songs in any genre: Me and Bobby McGee and Sunday Morning Comin’ Down. For those alone, he deserves the highest accolades. My go-to versions of those songs are by The Grateful Dead (Janis Joplin’s is fantastic, also) and Johnny Cash, respectively, but I will check out Kris Kristofferson’s versions today.

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RIP Kris: here’s one of his best performances

Brian

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:cry:

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I saw him with Iron Maiden at Middlesbrough Town Hall in 1980 - the time of their first album.
‘Eddie’ T-shirts were all the rage among the crowd.
It was a hot and sweaty affair down the front in with the headbangers.

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Wow Richard bet that brings back memories, you must have an old photo for the community :+1:

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Hehe, nobody took photos at gigs in the 80s. We just burnt our fingers on lighters :rofl:

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I like it Brian haha, I meant in general with his T-shirt, no phones those days mate

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10 posts were split to a new topic: Show us your earliest photo of you with a guitar

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A fitting tribute to Paul from the Irons !

PGA - couple of naughty words.

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I can’t believe he was that young, I grew up listening to Maidan and had no idea there were only 8 years between us.

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Wow, 84 is an admirable age

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What a rich career and ability to bring the best out of others

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Here some thoughts on Quincy Jones, another giant left after John Mayall.

Tribute to Quincy Delight Jones (14.3.1933-3.11.2024): a Life Beyond Imagination

Quincy Delight Jones, the legendary musician, composer, and producer, passed away this weekend at the remarkable age of 91, leaving behind a legacy that transcends music and touches the very fabric of society. Born on March 14, 1933, in Chicago, Illinois, Quincy was raised in a city that would later serve as a crucible for his extraordinary talent. He passed away in the vibrant city of Los Angeles, a fitting farewell for a man whose life was interwoven with the rhythms of American music and culture.

From a young age, Jones exhibited an innate musical ability that was nurtured by a diverse array of influences. His formative years were steeped in the sounds of jazz, blues, and classical music, all of which shaped his multifaceted approach to artistry. He was mentored by the greats, including his time with the legendary Lionel Hampton, where he honed his skills as an arranger. This foundational experience not only set the stage for his future successes but also instilled in him a profound respect for collaboration, a theme that would define his career.

As an artist, Jones’s contributions were groundbreaking. He seamlessly transitioned from jazz arranging to songwriting, crafting timeless pieces that resonated across genres. His collaborations with icons such as Frank Sinatra, Ray Charles, and Michael Jackson showcase his versatility and vision. Perhaps his most celebrated achievement came with the production of Michael Jackson’s “Thriller,” the best-selling album of all time, which not only redefined the music industry but also broke barriers of race and genre. Jones’s ability to weave diverse musical elements into a cohesive whole made him a pioneer, inspiring countless artists to follow in his footsteps.

Beyond his musical genius, Jones was a pillar of the Montreux Jazz Festival, co-founded with Claude Nobs. This annual celebration of music became a global platform for artistic expression, drawing musicians from all over the world and fostering a sense of community. Through this festival, Jones not only showcased established stars but also nurtured emerging talent, ensuring that the future of jazz and popular music remained vibrant and diverse.

Quincy’s impact extended far beyond the stage. He was a passionate advocate for social justice, deeply engaged with the African American community and issues of civil rights. His friendship with Martin Luther King Jr. profoundly influenced his perspective on music as a vehicle for change. Jones was instrumental in raising awareness and funds for various initiatives, including the historic “We Are the World” project, which united artists to support famine relief in Africa. His commitment to social engagement highlighted his dedication to improving lives through music and philanthropy.

Throughout his illustrious career, Quincy Delight Jones influenced an entire generation of musicians and producers. His innovative techniques in arranging and production set new standards in the industry, inspiring artists to push creative boundaries. His collaborative spirit fostered a culture of inclusivity, encouraging artists from all backgrounds to contribute their voices to the greater narrative of music.

Jones’s life was a testament to the transformative power of art. He embraced change, evolved with the times, and never shied away from addressing the pressing issues of his era. His journey reminds us that music is not just entertainment; it is a powerful tool for expression and social change.

As we remember Quincy Delight Jones, we celebrate a life filled with extraordinary achievements, profound influences, and unwavering commitment to community. He leaves behind a rich legacy that will continue to inspire future generations of musicians and activists alike. In his passing, we not only mourn the loss of a musical titan but also honor a visionary who understood that music could heal, unite, and elevate the human spirit. Quincy, you have truly flown West, but your melodies will forever resonate in our hearts. Thank you for a lifetime of inspiration.

Sources:

  • “Q: The Autobiography of Quincy Jones" – Three Rivers Press (October 8, 2002), 432 pages, ISBN10 0767905105 / ISBN-13 ‏ : ‎ 978-0767905107
  • “Quincy” (2018) – documentary movie prodced by Paula DuPrĂŠ Pesmen on Netflix.
  • “The History of Jazz” by Ted Gioia – Oxford University Press (December 17, 1998), 480 pages, ISBN-10 ‏ : ‎ 019512653X / ISBN-13 ‏ : ‎ 978-0195126532
  • Wikipedia
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When I was sixteeen I played this whole album non stop all summer long (this amongst other Maiden album’s). I loved the tone and tenor of his voice and wondered why he wasn’t still with Maiden. Bruce Dickinson, who is extraordinary, had taken over by that point.

I just remember listening to this record on repeat. IT was a great summer.

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One for Mr C

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Way too many credits to list here, but the more guitar-oriented people may appreciate these ones:

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