Low Recording Level?

Hi All,

Just a question for those regularly recording via Shure SM58s or similar.

Whilst I realise that these mics are somewhat ā€˜get up close and personal’ I tend to find that anything less than it being right in front of my mouth or the guitar strings and I seem to need my input on the UMC202HD at around 70% full vol and this still barely hitting the -18 on the Reaper track level.

The actual volume when listening back seems pretty good and of course can be boosted with the Reaper controls but i’m surprised that I seem to need the AI input dial consistently so high? :thinking:

If anyone has any experience with this would love to hear from ya :+1:

Just FYI, the AI is set on ā€˜Line’ and the ā€˜Pad’ button is out. However I have played around with the Line button and don’t see much difference if any.

Thanks in advance :wink:

1 Like

I’ve got an SM58 but don’t use it too much for recording mostly for this very reason. As far as I’m aware this is a design feature - it’s a mic really designed for live stage use, so it’s trying not to pick up any other ambient stage noise.

3 Likes

No single mic is suitable or optimal for all applications. I would use a SM58 exclusively for mic’ing an amp. I have a Behringer knock off for this purpose. For vocals into an audio interface I use a dual diaphragm condenser mic (Behringer B-2).

I recommend buying a number of different types of microphones. This is same recommendation that I would make for any gear to be honest.

2 Likes

Hi Clint, I saw this thread from last year and it fits a question I have. I am considering a purchase of an amp to use with my wife’s bass amp. I tried a direct connection to the Audio Input but it has a lot of noise. I see that you mention using a Behringer C-2 mic which is about a quarter of the price of an SM57. Is this what you use and are you happy with it?

Yes, it’s a good little mic (Behringer XM8500 - $20 US). I used it in this video for singing:

If you check out my videos I used the B-2 more often, which is the better (and more flexible) of the two mics.

The XM8500 is a vocal mic, what is the ā€œBehringer knock offā€ that you use to mic an amp?

I’ve used it to mic my amps. I suppose you could experiment with taking the grill off and determine which way works best. I never tried it or took the time. I’ve read of players using SM58s on amps, so I’m not sure there are hard and fast rules. The same logic applies to the XM8500 or any other ā€œvocalā€ mic.

https://service.shure.com/s/article/sm58-to-mike-my-guitar-amp?language=en_US&region=en-US

From Behringer:

ā€œThe XM Series’ cardioid pickup pattern captures the source signal, such as a guitar amplifier or vocalist, while shunning off-axis sound.ā€

YMMV.

Ok, thanks!

You are welcome. Your question was valid and hopefully players will muck around a bit more with mics. One of the players that I read about somewhere (years ago) that was known to use an SM58 on his amps was John Mayer.

The best argument against using a XM8500 on an amp is that it isn’t a SM58 and I ain’t no John Mayer. LOL

2 Likes

Well, I ordered one yesterday. :smiling_face_with_sunglasses:

1 Like