Major 7th Arpeggios

View the full lesson at Major 7th Arpeggios | JustinGuitar

Just trying to make sure I got it. The numbering pattern means you play same numbers together in progression up the fretboard. I though and arpeggio was thump the root note then run the fingers (I,m,a) up and down the top three strings. What is that called?

The, thought, thumb. :slight_smile:

Hi Ralph,
Even though it is grade 7 (I have no idea what you are on)…from this lesson and the 3 below I think it is explained very clearly and made it clear to me how it was and what you can do with it, very probably I will not be the best order (so more experienced people please correct me if needed ) for most students, but after these lessons I only saw the light come on regarding this whole concept… I’m going to throw myself from today after a long delay on the ARPEGGIATOR…brrr.
https://www.justinguitar.com/guitar-lessons/starting-arpeggios-in-the-blues-bl-805
Good luck and I hope things clear up for you now…
Greetings,Rogier

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do you mean the the formula?

R ^ 3 ^ 5 ^ 7
(of The Major Scale)

Or the finger numbers?
image

The formula are the steps in the major scale.
If you don’t understand this yet, You might want to step back and get the basic major scale theory down first. It is crucial knowledge to almost everything that follows that requires a little background in theory so I strongly recommend it.

If you mean the numbers of the fingers: Where you start depends on the pattern. They are chosen to be tohught in these chunks because they make sense in comparison to the corresponding major scale shapes; in other words, it isn’t just random chuncks of the fretboard.
You can slide the Major arpeggio shapes over the major scale shapes and you will notice only notes 1,3,5 and 7 of the major scale are used an no notes of the arpeggio fall out of the pattren of the major scale. Logical, as the major apreggio only uses notes that occur in the major scale.

Sounds like flamenco technique strumming? :smiley:

The numbers in the chord box diagram refer to the fingering. The root note is highlighted in red. If you know the intervals on the fretboard, you can figure out which scale degrees are fretted. The notes are played one by one starting with the lowest root note.

The text says, “Here are the 5 positions of the Major 7th Arpeggios. Make sure you practice playing the related chord, then the arpeggio and then the chord again…” It would be very helpful if the “related chord(s), or an example chord,” were listed along with each arpeggio shape, please. Also, I would find it more useful to have each chord harmonic number listed (i.e. 1, 3, 5, 7) in each circle, instead of the finger number.

These arpeggio patterns don’t have open strings, which means they are movable along the fretboard to the desired root note/chord.

Arpeggios are played from the lowest note to the highest in order. Pattern 1 starts on the root note so it’s the easiest to figure out. In the case of a C major arpeggio, you would play the notes C, E, G, B, C, E, G, B, C, i.e. 1, 3, 5, 7, 1, 3, 5, 7, 1. The same applies to the other patterns as well even though their lowest note might not be the root note (1st scale degree). Knowing the intervals on the fretboard will aid you knowing which scale degree you are playing.

Hi Jozsef,
Thanks for your reply.
I understand the patters are movable, but, for example, the Maj7 Arpeggio Pattern 1, refers to an ‘E-shaped’ chord, but I don’t see how an E-shaped chord fits that patter. An example ‘movable’ chord for each of Patterns 1 through 5, would help, please.
Thanks,
Bill

The E-shape barre chord and the arpeggios all lie within the pattern. Hopefully, the animation below will help.
E-CAGED

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HI Bill

The terminology “E-shape” comes from a broader way of looking at how the guitar fretboard is organised. The whole concept has been dubbed the CAGED System for each of the shapes of the open or “cowboy” chords- - -for each of the open chord shapes there is a movable Barre CHord Shape. Some are practical and easily used like the “E-Shape” and " A shape" others like “G Shape” and “C Shape” are less practical and less used. The point is that within these moveable chord shapes all the different scales, arpeggios and triads can be found. . . There is FAR TOO MUCH information on the internet about CAGED System for guitar. If you do a google search you will certainly be overwhelmed with information on it. Justin has lessons on this in his more advanced grades. Here is his introductory look at the CAGED system for your info:

The CAGED System Introduced

Pretty sure you’ll find all you need to get started with this concept at that link.

Hoping this was helpful.
Regards,
J

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