Let's explore Pattern 1 of the Major Scale and start jamming with it!
View the full lesson at Major Scale Pattern 1, Major Scale Maestro 1 | JustinGuitar
In practicing Major Scale Pattern 1, my ‘mistakes’ almost come with my right hand missing a string or hitting the wrong string especially with alternate picking. (I have the pattern well memorized). Any suggestion or lesson I might look at to help with the right hand in general.
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Hi @Sadler and welcome to the community.
If your fretting hand fingers know what to do and where to go then a simple approach here is to employ your eyes and look carefully at your picking hand. Plus, as in so many things, do it very slow so that you can do it correctly. Learn and practice it correctly and you will continue to be able to do it correctly. Practice makes permanent so practice perfectly.
Cheers 
| Richard_close2u | JustinGuitar Official Guide & Moderator
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What Richard says is probably the only way to do this. You need to teach your picking hand which new strings start with a downstoke and which ones you have to lift over in order to start with an upstroke. The only way is to start slowly and build it up over time.
Did you have the same problem in Module 10 when we were taught to play the C Major scale in the open position? I know I did. Slowing it down and repetition got me through it.
Without wanting to overcomplicate matters I did see a video of a teacher advising his student to dismiss what his fretting hand is telling his left hand to do and mute the strings whilst picking through a pattern thus isolating the picking hand. That to me seemed over the top but it is harder than you think lol.
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I have this exact problem! So you’re not alone with this.
Also trying to improvise to Justin’s jamtrack in G is seeming to be quite overwhelming.
It’s not easy to see that I’m gonna get any decent riffs out of scale improvisations any time soon. If ever, to be honest 
But I guess there’s not much more to do than trying and trying and hope some day something is going to click, and it starts to sound like music.
Riku
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I don’t wanna learn those stupid scales 
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Hi @Riku
Check this out for inspiration. Guitar Challenge (Improv) - Acoustic Pop in G Major (Justin Sandercoe backing track)
Thanks for the link Richard!
I’m sure that’s going to be helpful for me.
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Hey folks, I’ve got a question regarding the alternate picking. Justin recommends to always alternate between up and down picks. I noticed that I tend to be more effective when using two down picks in a row, if I move up a string(For example A to D String). It’s the same for me when going down(higher) the strings, I use more up picks. Hope you’re with me, up and down confused me quite a bit 
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You teaching yourself a bad habit that will be very hard to break.
Try saying Down Up Down Up out loud when practicing.
Do it slow with no mistake and in a few days it will become natural. Justin teaches everything for a reason that may not be clear to you right now but when you are further down the road you won’t be struggling to break a bad habit you picked up.
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I find doing this scale repetitively (~10time) my hand on the pinky and ring finger when hitting the low E and A strings notes hurts/feels a pinch a long the metacarpal,(area on hand below the finger on the side of palm before wrist.). As any such pinch can’t be good looking to elminate it. my thumb for the scale is normally behind the 1st and 2nd finger on back side of neck on upper portion (towards playesr face about E string) . if I reorient my thumb lower about D string and splayed out towards the head/tuners (beyond 1st finger) then the metacarpal seems to slide outwards (away from the player on bottom of neck) and the pinch feeling goes away. Is this normal /common to have to adjust thumb through the scale? or perhaps I am just stubby and inflexible 
.Thanks all!
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What a great lesson along with the backing track as well.
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@SgtAuto You don’t want pain so something needs to change. I would suggest 10 or more repetitions is too many. Three without error is a good platform. Once done, the scale is there to make music with, not to run up and down. And mostly, that will focus on the D, G, B and E strings. If you have moved your thumb to a slightly more horizontal angle along the neck rather than perpendicular to it and parallel to the frets then I would advise against that. Have you tried adjusting your posture, seating, guitar-neck angle etc?
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I am learning this scale on an acoustic guitar and I have smaller hands. I am finding it’s hard to keep my hand still and stretch my fingers over 4 frets. If I do this, my pinky is basically on it’s side and not playing with the tip of my finger. Should I move my hands slightly if needed in order to play the string on the tip of my finger or is it better try and hold it’s position and play with the side of my finger? This issue is mostly prevalent on the thicker 2 strings. This was easier with the C major scale in open position as it was only three frets. 4 is a beast though especially on the thicker frets. Hope this makes sense. Appreciate any tips or insight! Thanks!
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I can’t give you the official answer Josh, but I move my hand to allow my pinky to rest up against the fret. You gotta do what you gotta do.
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Josh, for those thicker strings, you don’t need or want to arch your fingers up and over and press with tips. It is normal to leave them flexed and stretched out much flatter then if you were playing chords and use a bit more of the tip where it merges to the pad.
Starting position 2nd finger on root, 4th finger on its fret.
Arriving at the note one fret below the root on the 6th string.
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Appreciate the response Richard! Thank you for the insight!
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Thanks for the reply! Appreciate it.
Thank you Richard for the reply. So I had my thumb kind of at kind of 30° just behind at the first dot in the middle of the third fret. And would move it towards the head like you advised against. I found moving the thumb just behind the third fret bar and parallel to the fret, made quite a difference. So basically, I’m in the middle of the scale. Thank you.
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