Perspectives on my gig today

Had fun today and thought I’d share my perspective on it. I’ve done well over a hundred open mics and am finally confident on stage, minimal nerves and feel relaxed.

We live near a very small town, just over 500 population. A couple of years back the local post office had a morning pop up coffee shop that was open only on Saturday mornings. The building has a large verandah (porch) running along the front of it and I would go there regularly with my guitar and play some tunes (unplugged) while having my coffee.

Sadly the pop up shop didn’t last. The local community association contacted me this week saying they have a monthly meet and greet with a cake stall at the post office and would like me to come along and play some tunes similar to what I used to do at the coffee shop. They said they want to create a better vibe for their cake stall.

I spent the week working on my set list and rehearsing in particular the songs that weren’t strong in my memory. I resurrected a handful of songs that I used to play regularly but hadn’t played them in so long that I couldn’t play them from memory. With all of the old songs I only had to play a handful of times before I could play them from memory again. I never perform publicly with song sheets or tablet, always from memory,

The gig today went well. I had 3 sets of songs ready, ended up only playing 2 sets as there just wasn’t time to get through all the music I’d practiced.

One thing that stuck out to me is what I call “match fitness”. I’m no perfectionist so it’s not that I’m trying to be at an unrealistic skill level. But it still takes a LOT of work to be on top of an extended number of songs. I ended playing 22 songs in total.

I struggled a lot with low energy levels which impacted my performance a lot. I have battled chronic fatigue for many years so I knew this would be an issue today. Unfortunately my energy levels all week have been worse then they usually are. Sigh. It mostly manifested with small mistakes especially towards the end of the 2nd set. I dropped several of my more difficult songs because of the fatigue. In the first set I did manage to do one of the harder fingerstyle songs I do, If you could read my mind, the Gordon Lightfoot classic.

This gig was the first decent test of my new amplifier, the JBL Eon One Compact. I used two channels, one for the acoustic guitar which has the LR Baggs anthem pickup / preamp and the other for vocals using a Sure SM58 mic. Previously I had an AER acoustic amp (Domino) which is high end and always just sounded great without much fiddling.

I’m quite happy with how the Eon One went. Two big bonuses over the AER were: 1 - Battery powered. 2 - Full mixer app on my mobile phone. With the AER to make any adjustments I’d have to reach behind the amp to make changes. With the EON One it was so easy, I had my phone on the table just beside me so it was easy to mute and to change levels. I play mostly fingerstyle, about a quarter of the songs are strummed and for those I had to drop the guitar and overall amp levels as my strumming is a LOT louder than my fingerstyle. The guitar I used has a jumbo body and rehearsing in advance with my amp was critical as that guitar in particular is quite boomy in the low end with my alternate bass note playing during fingerstyle songs. I really had to pull back how hard my thumb hits the bass notes.

I was determined to keep the amplified volume as low as possible. My perspective was that I was not a feature act, I was simply background music and as such needed to ensure my amp volume didn’t prevent people at the meet and greet from being able to carry on conversation easily. As I played I was able to see that was the case. I also had my wife drop in and she agreed the levels were nice and low and yet she could hear my playing across the road. From that I take it that while the amp didn’t project high volume, yet it did carry across the distance.

In one song only, I noticed a fair bit of a buzzy humm with my base notes. After that song I dropped the guitar channel volume a little bit and it was fine after that. I really do not enjoy fiddling with amps / mixers so it was a relief I didn’t have to do much of that. A bit of foldback would have been great.

I play a mixture of folk songs that are a little more obscure and a fair number of covers of popular songs. I noticed one or two of the dozen or so people there singing along (more like mouthing along) to some of the folk songs. The reaction to the popular covers as a lot more noticeable. I did a couple of Credence Clearwater songs in a row and one lady exclaimed to others there “He’s playing my normal playlist”.

So I’m pretty happy with how it went. They want me back next month. I’m a LOT more exhausted than I hoped I would feel. It does feel pretty magical to have pulled it off. I often mention to newcomers to the forum how special the reward of being able to play songs is. And for me, playing for others is even better. 15 years ago, when I was still only dreaming of being able to play guitar, I could never have imagined doing this. When I was doing open mics in my early days as a performer I had horrific problems with performance anxiety and crippling nerves. Nerves did not exist at all today.

Here’s a couple of photos. You can see the size of the verandah in the wide photo. I was situated on the far left side of the verandah.

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Congratulations Tony, this is a great achievement. I am glad that you are buzzing after a successful live play. They want you back, that is the best indicator it went really well! :slightly_smiling_face: It is completely natural that you are exhausted, you had a long time on stage.
The most impressive thing to me was that you played 22 songs from memory. If I got it correctly, you had more prepared, but didn’t have time to play. How did you manage to remember all those songs? Do you have quick cheat sheets to quickly go through on stage or really all is fully from memory?

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Hey Boris, thanks for your kind words. My set list covered 3 sets, each of approx 30 minutes and 27 songs in total. I can easily play all of them fully from memory. The only notes I had along was the set list which you can see in yellow legal paper pad on the table to my left.

Many years ago, a club member notice how badly I relied on my song sheets to play the very small number of songs I then knew at a jam and she challenged me to learn them from memory. I thought that was way too hard. Until I tried it and it turned out to be far easier than I feared it would be.

I have an app (Onsong on iPad) where I store my song sheets and I reference that only when first learning a song or when I’ve not played the song in some time. At a camping weekend I was at recently, I performed Streets of London and had to reference my song sheet when we rehearsed because I’d not played in for about 5 years or more. Once I played it half a dozen times I could fully play it from memory. Streets of London was one of the songs I played from memory today.

I think Justin comments at various places that every one should try to memorize a tiny number of songs (initially) just for convenience if someone hands you a guitar and says “Play something”.

For me, I notice the flow of songs is a LOT better when I’m playing from memory.

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Brilliant to read Tony, and on the day I get a message from a friend of mine also called Tony asking me to play live with him next week, and I love that song you mentioned I used to play it you have re kindled me cheers HEC

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Tony, what a wonderful return to playing live.
22 songs is a long set list for a solo performer, especially upon a return.
Fantastic to read the story and know you have such a fabulous opportunity to play and share music.
:slight_smile:

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It definitely looks a lot more professional when a musician operates that way. I have a few songs I can do that for the chords only, but not the lyrics. Remembering lyrics is very hard for me. I can really only sing along with one song that I play, anyway. Singing/playing is pretty new for me still. I only managed to figure that out for one song maybe a couple months ago.

My wife is really good at that part of it. Which is why she started doing open mics only a few months after starting to play her ukulele. And last week, she opened a concert (in fact, she opened the whole tour AND was the first person ever to play on the remodeled stage at the venue) for two bands touring the southeast. One from Nashville, TN and the other from Vienna, Austria. Pretty sure we’re eventually going to be playing together for some of these things.

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Nice Tony. Sounds like you had a great gig even with the couple of songs you didn’t feel so good about during the 2nd set list. 20 songs is a lot. Well done

As an aside. I have that same pad/phone holder clamp on for my mic stand. I love it.

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Poor guy’s set list keeps shrinking!

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That’s really impressive Tony and I am glad it went well . I really enjoyed reading the backstory to the gig as well. Bravo :clap:

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Thank you for sharing the story, very interesting read. You are so blessed - not only the jam weekends now also a monthly gig :slight_smile: ! The longest set list I have ever played so far is 5 songs and I was spent after that and limping over the line on the last song. So 22 is very impressive! Curious to learn more on how you put your set lists together, something I spend a lot of time thinking about when I prepare for my open mics.

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Absolutely WONDERFUL Tony. You are an inspiration in so many ways. :clap:

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Haha! Thanks for the chuckle. My list on the yellow legal pad was 27 songs. I only played 22 (1 of them was a repeat of the first song I played).

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Thanks Molly. I always pick one of my easiest and relatively slow song as my first song. This is a fallback to the approach I took to get over my open mic performance anxiety. I have 3 main styles I play, a simple fingerstyle, a travis picking fingerstyle and a strumming using Justin’s thumb and finger technique. So I try to pick songs that move from one style to another so as to not bore the audience any more than I have to. I try to change the key regularly and if I have a song that needs a capo, only a small number do, I group those together to save switching between capo and no capo.

This week, after rehearsing and really struggling with my levels of fatigue, I simplified the set list a bit more and dropped off a couple of favourites of mine that are more difficult.

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Thanks, always great to hear from you

:rofl::rofl::rofl:

I didn’t mean to cut you short Tony. I am sure those songs were killer. :grin:

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I felt so much more energetic knowing I played less songs! :laughing: :joy:

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Hey Tony, what a great share thanks for allowing us in :+1:. I can imagine how satisfying it must be to be able to do something like this, above my level currently unfortunately but something I would love to be able to do :confused:.

Thanks for sharing the setup info, I always love to see what others are using etc.

Let’s hope your energy levels are better going into the next gig mate, well done on this one and thanks again for sharing.

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Hey Craig, don’t let that dissuade you from performing. My first ever open mic was 12 years ago, back in 2013. I only played 2 songs and thankfully the audience was kind. I learned on that performance that vocal mics are often very directional and when I I turned my head to see where I was fingering the chord, my voice faded badly. So I tried to fake, badly again, a C chord. Sigh.

The more often you can do open mics, the easier it gets. Thanks again for your kind words

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What a wonderful story Tony. I am very happy for you that you were able to play out again and now have a regular gig. That is something I strive for sometime down the road. I have only done one open mic, a 1/2 set of six songs. I can totally relate to not wanting chord sheets as I don’t want to get locked in to reading a tablet or sheet of paper.

I am even more impressed that you managed such a long set with your chronic fatigue issues. Truly an amazing accomplishment.

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Thanks Tony, always interesting to see how others approach set lists! Starting with an easy song - oh yes, I do that too, so good to calm the nerves! I also try and keep the first one a short one (less than 3 minutes) and ideally cheerful (not to be confused with “fast”).

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