oh, wait, I get it. how does Merman use 6 points to indicate 7 offsets.
yeah - how do you do that.
oh, wait, I get it. how does Merman use 6 points to indicate 7 offsets.
yeah - how do you do that.
Wrist, thumb, four fingers, wrist again. And a semitone between the index and middle.
TBH it’s just easier to remember TTSTTTS. Or 2131.
Sorry for any confusion. In the Practical Music Theory lesson 3.10 Justin suggests using your hand as a tool to identify all natural/sharp or flat notes in a major scale and I posted my answer to that lesson… it pinged up here slightly out of context. Justin used 1) Root = base of thumb, 2) ii = thumb 3) iii = gap between thumb and finger 4) IV = index tip, 5) V = middle tip 6) vi= ring tip, 7) vii = little finger tip, 8) Root/octave = wrist by little finger. Using the tone -semitone pattern of Major Scale TTSTTTS, you can start at any root note, say G, and get the full run, GABCDEF#G. Sure memorising TTSTTTS is great, but I liked Justin’s hand trick, and found it clearer with all Tones at fingertips. Base of thumb, up T to thumb, up T to index, up S to base of index-middle, up T to middle, up to T ring, up T to little, and up S to base of little. Whatever gets you through the night hey?!
Ah, now I get it. I’ve already known the major scale formula, but this mnemonic was a little strange at first. But that may be just me, I had a harder time trying to make up a mnemonic for the 6 open string note names than learning the notes names only.