Adding the Major 6th interval to a regular minor pentatonic is a real hip sound. It’s a great sound over all three chords in a blues and an easy one to get familiar with.
View the full lesson at The “Major 6” Blues Colour | JustinGuitar
Adding the Major 6th interval to a regular minor pentatonic is a real hip sound. It’s a great sound over all three chords in a blues and an easy one to get familiar with.
View the full lesson at The “Major 6” Blues Colour | JustinGuitar
Hi, will you add please the missing diagrams? Thank you!
Hi John,
you found an old note from me ![]()
@roger_holland, as you know, sometimes it’s quicker to make your own diagram ![]()
Absolutely,.
…I’m going to be photographing some of my first chords on a paper ,and scales with all 5 patterns drawn on a sheet with color markers
…I must have it somewhere…for my LL… ![]()
And Peter @Goto13 …welcome and a lot of fun with this grade 6 stuff …Hopefully you’re not going through the course a little too fast given your question…a solid foundation really works a lot better for a longer period of time…
Greetings ,Rogier
Is it just me, or dies this 6th note sound better over a MAJOR backing track instead of a minor ones?
The Major 6th is part of the Major scales. The minor scales contains the b6th (minor 6) that being said if you use it as a passing tone it can work over a minor blues.
Yeah that’s about all I can really get out of it over a minor backing track, unless the track goes from the minor 1 to a 7th on the 4, but like 98% of minor blues backing tracks I can find are minor throughout all 12 bars.
Where does Justin teach about adding the 9th note? He talks about the utilization of the 9th and 13th notes in later lessons, but i’ve checked all future blues lessons and there is nothing. The only ones remaining are rhythm lessons.