Adding the Major 6th interval to a regular minor pentatonic is a real hip sound. It’s a great sound over all three chords in a blues and an easy one to get familiar with.
View the full lesson at The “Major 6” Blues Colour | JustinGuitar
Adding the Major 6th interval to a regular minor pentatonic is a real hip sound. It’s a great sound over all three chords in a blues and an easy one to get familiar with.
View the full lesson at The “Major 6” Blues Colour | JustinGuitar
Hi, will you add please the missing diagrams? Thank you!
Hi John,
you found an old note from me
@roger_holland, as you know, sometimes it’s quicker to make your own diagram
Absolutely,. …I’m going to be photographing some of my first chords on a paper ,and scales with all 5 patterns drawn on a sheet with color markers
…I must have it somewhere…for my LL…
And Peter @Goto13 …welcome and a lot of fun with this grade 6 stuff …Hopefully you’re not going through the course a little too fast given your question…a solid foundation really works a lot better for a longer period of time…
Greetings ,Rogier
Is it just me, or dies this 6th note sound better over a MAJOR backing track instead of a minor ones?
The Major 6th is part of the Major scales. The minor scales contains the b6th (minor 6) that being said if you use it as a passing tone it can work over a minor blues.
Yeah that’s about all I can really get out of it over a minor backing track, unless the track goes from the minor 1 to a 7th on the 4, but like 98% of minor blues backing tracks I can find are minor throughout all 12 bars.