I wish I had 1/100th of your creativity and eccentricity. 
You are such positive person, Brian! I love the song!
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worth it for that alone 
More pearls! 
Tbh I forgot that was an F#7
I never did learn the ‘small F’ so I think would find that fingering a bit tricky, but I see that you’d have both E strings ringing out which might accentuate the 7th quality? 
(I don’t know what possessed my to try to sing that dominant C7 without practicing properly 
)
Hey Digger, it’s been a while. Good to see you pop up again 
I see The Cure are back in business- any chance of something strange from you 'n Katja? 
err… spare time and thick skin goes a long way, but thank you
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This one fell out of my pocket today.
I thought I’d try something in the key of A (well, why not) and my only other idea in advance of shaping it occured when I wrote down the word ‘rocky’ … meaning a little uptempo, driving sort of thing.
This came along after a bit. Seven layers of guitar plus bass & drum from the Trio+.
When I listen to it now (with fade out added after the fact) I have in mind the outro to a longer song where some motifs and melodies from earlier all recur and overlap in a big ending.
More fun than you can shake a stick at!
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Whoopsie - just dropped another one.
I’m finding this whole business of spending some time playing, having fun and being creative just a little addictive.
The story behind the track.
I decided to create something in the key of D major using diatonic chords.
An online die randomly generated the numbers 3, 4, 2, 6, 2, 5. That gave me a chord progression.
| F#m | G | Em | Bm | Em | A |
The online die had not given me a tonic chord so I knew that placing one after the dominant V chord was a good option. That gave me a 7-bar progression. A little unconventional. So I placed a tonic D major chord at the beginning also. I had this progression.
| D | F#m | G | Em | Bm | Em | A | D |
I wanted slow-ish tempo so I programmed a 72 bpm drum beat to follow for my loop. From there I just added layer upon layer of rhythms and arpeggiated chords and more as it came to me. I devised a melody then a harmony part to go along with it.
But, I wanted more. So I wrote a second section. I took more control over this. I decided to stay in the same key and simplify things, choosing a progression of:
| D | F#m | G | A |
Some more layers and noodling and I had two pieces to join together.
Which is verse / which is chorus?
Who knows.
Does it matter?
I did a little drum then bass intro thing and a fade out. But other than that this is how I made it.
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Another good one Richard. What a great set of chords to put together in a progression.
John Lennon’s ‘Woman’ uses a similar progression for a completely different end result. I wonder if he knew the theory behind it all.
Thanks for the listen and nice comments Gordon.
The Dice Man Cometh!
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Who would have expected that? 
The first one is a little bit messy for my taste …&7 layers 
that’s super fun, I really have to do that sometime ,
but the second one is really wonderful to listen to… 
at the bottom of the topic I almost missed it… that was a real shame otherwise
Greetings
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Yeah … that one I named outro is rather muddied up.
Thanks for appreciating the most recent.
I must say … I’m disappointed that neither you nor @sairfingers nor anyone else has commented on the title of that one!
Mellow-D
Major
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Hey Richard. I don’t know what multi-fx or trio plus are , but I’d love to know more. These sounded great!
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Hi Jay.
It is a looper with bass and guitar built in.
And more.
The Pedal Guy has many great, easy to follow videos on it. https://youtu.be/bhhj83O5was?si=K7kVS1IzK-PER0oA
And this songwriter is a fan: https://www.youtube.com/watch?v=QiXHmzy3Lc4
Just call the whole thing “double six”.
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Thanks, Richard. I’ve been thinking my songs are sounding the same. This looks like it could be just the thing to help me break out of common patterns to create something new. I found the Pedal Guy link particularly helpful.
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