Im practicing my blues in major scales. So far,very enjoyable.
So B.
I can play B7 /B5 and B triads, but what shapes would folk suggest? Ive seen it suggested using a capo on 2, but Im not really proficient enough for capo use(apart from open E).
So,in standard tuning,what would you suggest for big ,full sounding chords.
Around 7 minute mark he teaches a simple rhythm pattern. It uses the D9 and E9 which I like because you can slide it around, or use that shape in other keys. He does a simple turnaround F9-> E9 but you can also do a E9 → Eb9 → D9 run. Useful shape.
I’m not quite sure what you mean here.
Blues steers clear of the major scale mostly.
I’m confused here. Blues in B looks identical (thinking chord shapes only) to blues in A if you put the capo at fret 2.
The I chord = A-shape
The IV chord = D-shape.
The V chord = E-shape.
As to your question … Do you mean having to play a B type of chord when playing blues in the key of E (and B is the V chord)?
Or do you mean blues in the key of B requiring B, E and F# as the I, IV and V respectively?
If in the key of B …
B options.
E-shape barre at fret seven played as a B major or B7 or Bm.
Minor blues in B is a common minor key.
Chunka-chunka from a B power chord (6th string root fret 7 or 5th string root fret 2).
E options.
A-shape E or E7 or Em barred at fret 7 or C-shape E7 chord rooted at fret 7. Or, as already shown, E9 rooted at fret 7.
Chunka-chunka from an E power chord (5th string root fret 7 or 6th string root fret 12 or open position).