GIVE ME ONE REASON - Tracy Chapman
Came across this great tune while searching a long list for some new Blues tunes to learn; expecting to pick ones of the ilk of a King, a T-Bone W Walker etc, ( and I did), but added this one also.
I didn’t recall it at first, but after playing the original I remembered it, and was hooked. Such a cool groove to this song. The way the 1-4-5 movement is ‘incorporated’ into the 1 chord section; the 4-5 movement as the 4 chord, is something a bit different, and works well.
The first thing that struck me was that its in the key of F#. I thought “ I’ll fix that. I’ll just try G or F etc , and go from there.” But, I ran into some problems. Part of the driving bass line uses the open E and A strings, and it just didn’t sound nearly as cool, or in some cases, didn’t work at all really, when switching keys.
And then I discovered, ( not solely on my own) why Tracy Chapman likely chose F#. ( shows how theory can really help).
The 3 chords in the song are;
F# - B - C#
Open E = b7 of the I Chord - F#
Open A = b7 of the IV Chord - B
- fretted B = b7 of the V chord - C#
( b7 of V always = root of IV chord)
So the open strings play an important role in the song, made possible by using F# as the key. Very clever by Chapman. Anyway, enough musing about theory. It just works very well, it sounds very cool, and importantly, I learnt some new information.
Anyway, here’s my go at it. Not my greatest work, but will be looking to perfect this one.
The backing track is the original with all guitar parts removed via Moises. So drums, bass, vocals - thought I’d let Tracy do the vocals . To be honest, I found it too hard anyway to play all the guitar parts and try to sing as well.
A few flubs here and there…possibly too much reverb, but that’s where I’m at. A great tune, and alot can be taken away from it.
Comments, tips, etc always welcome.
Cheers, Shane