Grab your guitar! It's time to apply all your Triad knowledge and play some songs.
View the full lesson at Major Triad Grips (Strings 1/2/3) | JustinGuitar
Grab your guitar! It's time to apply all your Triad knowledge and play some songs.
View the full lesson at Major Triad Grips (Strings 1/2/3) | JustinGuitar
I had those grips memorized in 1.3 seconds, the time it took to realize that those are the 3 chords used in Three Little Birds
Is it correct to call the first, second and third grips shown on the video 1st inversion (351) 2nd inversion (513) and root (135) triads?
@Phoenix97 Yes thatâs exactly what they are but it is more common to refer to them as the chord shape the are derived from.
Thank you very much Rick, I wanted to get sure if I really understood the lesson about inversions
@Phoenix97
Yes, those inversion titles are exactly correct.
Cheers
| Richard_close2u | JustinGuitar Official Guide, Approved Teacher & Moderator
Thanks Justin, this singlehandedly changed my guitar playing so much and taking my songs in my head into reality. Thanks again
Grip 1: Using fingers 1 & 3 I have no problems, but I have trouble with the mini barre when I use fingers 1 & 2.
Any practice advice to get the mini barre working with fingers 1 & 2?
I gave some input on this question some months back:
So (just making sure) the 3 shapes are moveable shape that can be played anywhere on the neck? (as its on the 3 lower strings of course)
Whenever you play something that doesnât involve open strings, then it is moveable to anywhere on the neck. By âmoveableâ, I mean you can move the grip up or down the fretboard, keeping the same strings fretted, of course.
Yes. 100%.
Maybe Iâm getting ahead of myself here, but would a C triad (grip 3 with the root note on the 3rd string) be a C7 triad if I streeetched my pinky to the Bflat on the 6th fret of the 1st string?
Sure. Thatâll give you a C7, (minus the 5th, which is not really necessary anway).
Even better, if you fret the G on the D string 5th fret, to give you a 2nd inversion C, then you can easily access both a C6 (CEGA), and the C7, (CEGBb) on that e string for that pumpin blues sound that is so common.
Keep exploring mate. Those cool 7th etc sounds can be found all over the place.
Cheers, Shane
So playing a major triad grip 3 for strings 234 and adding the note on the same fret of the first string is the â6â version of that chord? (Essentially barring four strings.)
Yep, thats it. Thatâll give you a C6. And move up one fret on the high e, and youâll get the C7. Technically, these arent triads. Justin would call them âquadadsâ I think from memory.
Nonetheless, its a cool sounding, and useful grip, extending on from the basic triad.
So, if you move between the C, C6, C7 shapes, you get that very familiar bluesy sound.
The grip youâve discovered is just as useful, so now you got both in your toolkit .
Cheers, Shane
Thanks for your input. I think I might be a music theory junkie.
A great addiction to have I reckon
This is a grwat lesson and probably worth including on the biginners course. The theiry is not that complicated and it gives you the confidence to move around the fretboard.