That makes me think Ian Dury and clever Trevor
The hide is easy. You’ll find it under the gear icon on the right hand side of the edit window format menu bar options.
That makes me think Ian Dury and clever Trevor
The hide is easy. You’ll find it under the gear icon on the right hand side of the edit window format menu bar options.
Good to see this back but will need to let my ears settle down and revisit the modes one at a time. A mainly Southern Rock Mixo Dorian fest/overdose last night has certainly clouded my hearing but I will return and maybe dust down the examples I wrote last year.
Modal Mojo Magic.
terrible, bombed. 3/10 & 2/10. why ??? I look ahead and see, no harmonic framing. I’m getting why now, when playing a modal progression with too many chords it just starts to sound like Ionian or Aeolian. Harmonic center, framing.
Just that.
I was naughty - on purpose.
Modes are often taught in short bursts and only concentrate on the scale and what it can do to create melody etc.
Without the ‘modal framework’ of harmonic context, with only a set of notes to listen to, it remains difficult to discern and distinguish between them.
Precisely why I never heard of it, not a word of it, won’t say nothin’ to no one without any proof…. (teaser)
Modes Part 5 - The Colour of Modes: A Digression.
What about the colour wheel that I have overlaid above the Circle of Fifths?
Does it speak to us?
Does it add clarity or substance or fuller understanding of the character of the modes?
I must confess, when I first came to this idea, I was hugely excited. I thought that, without doubt, people would view the major type modes, comprising as they do a large proportion of colours from the bright end of the spectrum, as … well … just that … bright, lively, cheerful etc. And I felt sure people would view the coloured arcs of the minor type modes, with their varying depths and hues of blue, as being sad, dark, sombre etc.
In advance of writing any posts on modes whatever, and without so much as a hint of my intention, I posted an open-ended discussion topic in the old JG Forum starting with:
I have a favour to ask, for a little project I have going on.
I’m going to post some colour charts / swatches that are blends of several colours.
Would you please look and comment with your impressions. Describe them using whatever words or phrases or descriptors come to mind, whether in absolute terms, comparative terms, poetical terms, emotional terms or anything.
There are no rules or expectations, right or wrong - just a request from me to look at the various combinations and write your reactions / responses.
Many thanks.
I then put on display these seven colour swatches in this specific order:
Here are some of the responses made:
I also received various direct messages in response to this. I also sought comment from friends, family and others. So I collated a large set of responses.
My hopes, anticipations and expectations were somewhat confounded by people’s actual perceptions. I asked - without disclosing my intent – in the forum and elsewhere for people to ascribe to the various combinations of seven colours words, descriptions, reactions, responses, emotional reflexes etc. No rules – just whatever came to mind.
And the comments that I received in return (for which I am most grateful for all who took a little time to do so) caused me to rethink my expectations and question the narrative that the sound and character of the modes can be closely aligned with the sense of colours shown within the colour wheel that I used.
I had a feeling somewhat akin to having made a gigantic sandwich - whilst voraciously hungry - only to find with successive bites that one of the ingredients tastes off.
My glorious hypothesis may have been shattered.
I’ll let you decide for yourselves if that is the case.
Here again are seven modes, each represented as notes within seven-note colour arcs, and each with several accompanying features.
Just to vary things, the modes will proceed in the reverse order to that used so far. Which means that they will match the colour samples from No1 to No7 presented above also.
The order will be:
Locrian
Phrygian
Aeolian
Dorian
Mixolydian
Ionian
Lydian.
If all of this colour-based thinking has any substance you will be hearing, seeing and immersing yourself in sounds that move from dark to light, from gloomy to cheery.
We shall see.
The C Locrian Mode
—Colour sample
Wordle
Do any of those descriptors resonate with you when you listen to the Locrian melody?
Locrian melody
The C Phrygian Mode
—Colour sample
Wordle
Do any of those descriptors resonate with you when you listen to the Phrygian melody?
Phrygian melody
The C Aeolian (natural minor) Mode
—Colour sample
Wordle
Do any of those descriptors resonate with you when you listen to the Aeolian melody?
Aeolian melody
The C Dorian Mode
—Colour sample
Wordle
Do any of those descriptors resonate with you when you listen to the Dorian melody?
Dorian melody
The C Mixolydian Mode
—Colour sample
Wordle
Do any of those descriptors resonate with you when you listen to the Mixolydian melody?
Mixolydian melody
The C Ionian Mode
—Colour sample
Wordle
Do any of those descriptors resonate with you when you listen to the Ionian melody?
Ionian melody
The C Lydian Mode
—Colour sample
Wordle
Do any of those descriptors resonate with you when you listen to the Lydian melody?
Lydian melody
Once I had posted all of the above, the colours, the modal scales, the melodies, further comments were made:
Hi Richard,
Hopefully this is something from the old forum as I totally missed it,…i haven’t read everyone’s comments,…but @adi_mrok , I nearly choked on my tea laughing…
And do you want us to reply per subject or everything in its entirety, in connection with the overview,…not that I have much to say,…most words are correct,…except sunset /sundown that can’t go together(especially if you’re reading this in winter) logically for me,… and the colors red and orange are the colors for the blues, and blue( Blauw…kou…in dutch) is more sharp and cold,…but yes that’s more of a language thing…
Locrian : relief and calm…not for me
If you’d rather see it written differently, just say so…
Good luck,
Hi Rogier.
To respond or not to respond, that is the question!
Honestly, seriously, this Part 5 I deliberately called a digression as it is an entirely voluntary and unnecessary walk through a little flight of fantasy that I had, a little hypothesis that people would, unprompted, connect colour groups with words, descriptions, moods, feelings etc. And somehow, magically, those same descriptors, some similar emotional responses, would be brought out by the sound of the modes.
I am likely wrong.
Right or wrong, I got excited for a little while and it was a bit of fun.