Understand tones and semitones and how they translate on the guitar neck!
View the full lesson at Tones And Semitones | JustinGuitar
Understand tones and semitones and how they translate on the guitar neck!
View the full lesson at Tones And Semitones | JustinGuitar
these are lessons which remind me how glad i am i played piano for like half a year lol. but great lesson as always! youre helping so many people with your lessons; thank you!
Thanks for the good feedback @mnemo and welcome to the Community.
Cheers
| Richard_close2u | JustinGuitar Official Guide, Approved Teacher & Moderator
As an American it was difficult to switch my vocabulary to using Tone and Semitone. I started using this memory trick for guitar thatâs been quite useful: a TONE is TWO frets, and a SEMITONE is a SINGLE fret.
Not sure if itâs the best memory trick out there, but sharing in case someone else finds it useful!
Agree with you @ryansmithâ0518 and I am Birtish ! I am not familiar with your âmemory aidâ but whatever works for you.
I think Justin has âmuddied the waterâ by dismissing the US system and âreinventing the wheelâ with another definition of Steps.
Personally, I find it easy to understand visually the Steps/ Half-steps , the Tones/ Semi-tones, and Sharps/Flats simply looking at the 12 notes from Middle C to the first Octave C above it (eg. C to C).
There is a Tone or Whole Step each time you pass by a Black Note while moving up through the White Notes.
The EF and BC are also obvious having no Black Notes in between; therefore they are Half Steps or Semi Tones.
The clock-face is a circular representation of the linear piano scale; and it might make it a more âvisual toolâ for some people.
Does any of this matter ? Not really; whatever works for the individual to help them remember the construct of a Major Scale.
** C to C on the piano , that is
While I completely understand the translation of the American system (half step/whole step) and this version(semi-tone/tone), it seems like itâs semantics more than anything to me. 100% of people in the US will understand telling them to move a whole step up, not nearly as many would understand moving a tone up off the get go. Makes more sense to use whatever is most popular where you play.
In regard to not using whole step / half step ⌠there is a part of music terminology where step means something else.
In melody, the movement of a step (which could be ascending or descending) means a move to the immediately adjacent scale note. Depending on where in the scale the melody note is, that could be a move of a semitone or a tone. Because scale degrees are spaced at tone and semitone intervals.
Americans make up less than 5% of the worlds population.
I believe that is what Justin is doing. After all he is from Tasmania and lives in the UK.
And how many speak English as their first language? Maybe about 14% of that 5% use El Tono and El Semitono?