I am craving for a lesson like this - already registered a few seconds after I got the email 
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Me too! Looks like fun Dominique!
Tod
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Hello @Richard_close2u
This looks interesting but…
Knowing the 8 essential chords is at the end of grade 1, but on the JustinGuitar Clubs page, it says that the Vintage club #20 (not 19) is for grade 3+.
I am only at the beginning of grade 2…
I am wondering if it would be possible to see this kind of performance in an open mic session:
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I know.
I’m sorry.
That Grade 3+ is a default legacy graphic that does not apply to this session.
It is definitely going to be accessible to Grade 1 + students.
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1 bass … 10 guitars all playing the same thing.
Here’s another …
7 guitars, only 1 playing something different (with a capo).
Hehe, if we’re going for numbers of people playing the same thing, don’t leave out our Nicole 
On a different note, I’m not a great attender of the clubs, partly because the time doesn’t suit, but also because I often know where to find a lesson that covers much of the topic.
This is one that I definitely will be watching one way or the other, as it’s only mentioned fleetingly in some lessons and I think it’s something that many of us aspire to, once we move beyond the novice stage.
Vibes 
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In for sure, looking forward to this 
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I shall be employing my Trio+ which I know you use too.
Calling all Trio+ users … watch me potetially make a fool of myself in real time creating and playing to loops! haha
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Capital!
I had forgotten that function.
I do sometimes record guitar loops, but only for ‘band’ projects, never to play along to myself. Ta for the reminder! 
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With this as a banner I am also convinced and will definitely watch this lesson 
I do my best for live so that the biggest mistakes cannot be edited away 
Hi Brian @brianlarsen is the Capo for Two’ not much beyond the novice for you ?Edit: probably talking about something complete different (i Really need to read stuff 3 times I think 
)
Greetings
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Ah, Rogier, that’s one of the ‘new’ lessons (only 2 years old) 
I flicked through the course four or five years ago to see what was there, did a couple of lessons to get me off the ground and have been flying solo (trying to avoid the hedges) since then 
Having said that, you have a point. Richard, I might cancel you and watch the guru instead… 
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So So sorry Richard for this
No no no you shall watch and I’m quizzing you Brian
Good bye all I really have to practice now
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Wudda-fudda!
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Preview materials / expectations for next week’s Vintage Club #19 available to view here: Resources to share – Google Drive
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Hello Richard, re your Capo Conversion Chart, I have questions on how to read this. For instance, starting with the Key of C, if I move the capo 3 frets up per the chart, and I play the shapes for A, D, E, this will give the same chord sound as the Key of C chords: C, F, G respectively, correct? Then I move the capo up another 2 frets as per the chart, I play the shapes G, C, D, this gives the same chords sounds as the key of C chords: C, F, G, and not the Key of A chords: A, D, E as I expected. Then I move the capo up 3 frets per the chart, I play the shapes E, A, B and likewise it gives respective chords sounds of Key of C, instead of Key of G as expected. So I think I’m not reading the Capo Conversion Chart correctly. Please clarify.
Those are the I, IV and V chords.
… are the actual chords C, F, G.
Yes.
All good so far.
Yes, yes, yes.
… equal the chords C, F, G again.
You are reading and using it exactly as intended. 100% correct.
Playing the same chords using different chord shapes.
OK, so the capo position points back to the key of C, i.e. if I move the capo to the 3rd fret (3+), it is now the Key of A, and playing its I, IV, V shapes sounds the same as I, IV, V chords of Key of C. Therefore, Key of C is the master which all the other Keys point to, correct?
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Yes.
If you start at the key of C and play the chord shapes that match the capo movement and the Roman numerals then you remain in the starting key of C.
No. It is they key of C.
Which is the point of this chart.
They sound the same because they are the same chords. They have different voicings and access to some higher pitched notes, so they are separated in pitch and timbre.
Only if you started with the key of C.
If you start somewhere else, say the key of E, and move the capo then all remains in the key of E.