Vintage Club #19 with Richard | Ideas for Playing with Two or More Guitars

Monday Nov 04 2024 · 19:00 UTC +0

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Ideas for Playing with Two or More Guitars

Join Richard and explore approaches to building multiple guitar parts.

This session could be useful for you if you already play (or aim to play) with other guitarists. Perhaps you play at open mics or in a guitar club or in social settings. It might help if you want to freshen up your options when playing along to songs or Justin’s App. If you enjoy using a looper and / or record multi-track guitar parts using a DAW, there may be something for you.

The session will build from - then move beyond - basic strumming and chords, meaning there should be something for all ability levels. The only expectation is that you can comfortably play and change between most or all of the 8 Essential Beginner Chords.

Don’t miss out, join us for some (double) fun.
Richard
:slight_smile:

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I am craving for a lesson like this - already registered a few seconds after I got the email :slight_smile:

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Me too! Looks like fun Dominique!

Tod

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Hello @Richard_close2u

This looks interesting but…

Knowing the 8 essential chords is at the end of grade 1, but on the JustinGuitar Clubs page, it says that the Vintage club #20 (not 19) is for grade 3+.
I am only at the beginning of grade 2…

I am wondering if it would be possible to see this kind of performance in an open mic session:

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I know.
I’m sorry.

That Grade 3+ is a default legacy graphic that does not apply to this session.

It is definitely going to be accessible to Grade 1 + students.

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1 bass … 10 guitars all playing the same thing.

Here’s another …

7 guitars, only 1 playing something different (with a capo).

Hehe, if we’re going for numbers of people playing the same thing, don’t leave out our Nicole :smiley:

On a different note, I’m not a great attender of the clubs, partly because the time doesn’t suit, but also because I often know where to find a lesson that covers much of the topic.
This is one that I definitely will be watching one way or the other, as it’s only mentioned fleetingly in some lessons and I think it’s something that many of us aspire to, once we move beyond the novice stage.
Vibes :sunglasses:

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Yes - the record breaking @NicoleKKB ! :slight_smile:

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In for sure, looking forward to this :+1:

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I shall be employing my Trio+ which I know you use too.

Calling all Trio+ users … watch me potetially make a fool of myself in real time creating and playing to loops! haha

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Capital! :smiley:
I had forgotten that function.
I do sometimes record guitar loops, but only for ‘band’ projects, never to play along to myself. Ta for the reminder! :wink:

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With this as a banner I am also convinced and will definitely watch this lesson :smiley: :smile:

I do my best for live so that the biggest mistakes cannot be edited away :joy:

Hi Brian @brianlarsen is the Capo for Two’ not much beyond the novice for you ?Edit: probably talking about something complete different (i Really need to read stuff 3 times I think :confounded:)

Greetings

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Ah, Rogier, that’s one of the ‘new’ lessons (only 2 years old) :roll_eyes:
I flicked through the course four or five years ago to see what was there, did a couple of lessons to get me off the ground and have been flying solo (trying to avoid the hedges) since then :laughing:
Having said that, you have a point. Richard, I might cancel you and watch the guru instead… :stuck_out_tongue_winking_eye: :rofl:

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:scream: So So sorry Richard for this :rofl:

No no no you shall watch and I’m quizzing you Brian :roll_eyes:

Good bye all I really have to practice now :confounded:

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Wudda-fudda!
:astonished: :rage:

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In one week.

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Preview materials / expectations for next week’s Vintage Club #19 available to view here: Resources to share – Google Drive

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Hello Richard, re your Capo Conversion Chart, I have questions on how to read this. For instance, starting with the Key of C, if I move the capo 3 frets up per the chart, and I play the shapes for A, D, E, this will give the same chord sound as the Key of C chords: C, F, G respectively, correct? Then I move the capo up another 2 frets as per the chart, I play the shapes G, C, D, this gives the same chords sounds as the key of C chords: C, F, G, and not the Key of A chords: A, D, E as I expected. Then I move the capo up 3 frets per the chart, I play the shapes E, A, B and likewise it gives respective chords sounds of Key of C, instead of Key of G as expected. So I think I’m not reading the Capo Conversion Chart correctly. Please clarify.

Those are the I, IV and V chords.

… are the actual chords C, F, G.
Yes.
All good so far.

Yes, yes, yes.

… equal the chords C, F, G again.

You are reading and using it exactly as intended. 100% correct.

Playing the same chords using different chord shapes.
:slight_smile:

OK, so the capo position points back to the key of C, i.e. if I move the capo to the 3rd fret (3+), it is now the Key of A, and playing its I, IV, V shapes sounds the same as I, IV, V chords of Key of C. Therefore, Key of C is the master which all the other Keys point to, correct?

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